For this week's edition of Interview Thursday (which is actually every other week) I got to speak with Jeff Flowers. He is a Pastor in Cincinnati and we met about 6 or 8 months ago through Twitter. He's a good guy with a lot of good questions and conversations on his blog regarding Christianity and the current status of "Church Culture." I think you're really going to enjoy the conversation we had this week. Also, check out his site http://www.cincymissionary.com for more on Jeff! * * * NATHAN KEY: First, Jeff, thanks for giving me a chance to interview you. You're the first "Pastor" I've had the opportunity to talk with for my Thursday sessions. I guess that means you've got the power to really take this thing anywhere you want to. Scary, huh? JEFF FLOWERS: Thanks for having me, Nate. I’m honored to be a part of your Thursday sessions. I tune into your blog every week and I’m glad we’ve hooked up through Twitter, it’s been a fun connection. NATHAN KEY: It has been fun. **Side note to my readers: If you are using Twitter, be sure to look up Jeff - he uses the name: Cincymissionary.** Speaking of connection- you recently joined a church plant in Cincinnati. I'm sure it took a lot of courage to move from full time employment to "missionary" work. Can you tell me a little bit about what made you and your family head in this direction with your ministry? JEFF FLOWERS: Yes, I recently joined The Bridge as the Executive Pastor. The Bridge is a church plant located near the University of Cincinnati Campus in uptown Cincy. I have always wanted to do ministry in the city. I believe the city is where culture is made and where I can impact the most as a Christian. The Bridge came along at the right time. NK: Now, I hate to say that "Church planting" is all the rage these days, but it does seem that a lot of churches are moving toward house churches, church plants, and multiple campuses instead of the Mega-Church Model of the 80's and 90's. Why do you make of this trend? Is it merely a cultural correction to institution or do you think there's some sort of deep theological shift that's moving the church in this direction? JF: Great question. You’re correct that “church planting” is the rage these days. In the 80’s you saw a conservative religious resurgence in America. And in a far-swung reaction, the “seeker” movement was born in the 90’s and that’s where you saw the mega-church and mega-personality pastor really take off. For about ten years now, the “church-planting” model has been the birthing of “little” mega church models with a heavy emphasis on church health and creativity. The next ten years will be about one word: mission or missional. Now are these theological shifts? Unfortunately, no they are not. A lot of emphasis has been placed on “cultural relevance”, but there are a few good young pastors that are focusing on truth and theology and its transcendence over relevance that are reaching the millennials. NK: You just said that it's unfortunate that there haven't been a lot of theological shifts that are causing the "church planting movement." What are some theological shifts that you think need to take place in order for us to continue aligning ourselves with Christ? JF: I think the evangelical church in America needs to shift toward the primacy of biblical preaching. I recently had a medical doctor as a guest at The Bridge and she told me she was tired of relevant, she wanted truth. This is true of a lot of young Americans in this post-Christian era we’re heading toward. There also seems to be a lopsided emphasis on “spiritual formation” being more about the quest for a greater self than for a greater God. Somewhere on the journey, we have forgotten about the personal nature of God and His plan for redemption. We want to approach our relationship with God in ways that makes Him a mystical experience to pursue. Our discipleship takes the form of “figuring out what God is up to in our lives” instead of believing He is an ever-present loving God that never changes. This is the picture of God that Jesus gives us in the parable of the prodigal son. And this is the “difficulty” in following God. We take too seriously our fickle and weird nature. We try very hard to change so God will reveal Himself, or accept us. The Bible is very clear. In Jesus, we have the full revelation of God and we need nothing else. He is our sufficiency. He is fully accepting of who we are and not as we should be. These are theological issues. It’s theological to believe that I must decrease and He must increase. It takes theology to understand suffering and humiliation. It takes theology to have a solid belief in the power of God to make one righteous. To have “spirituality” without substance can be destructive to one’s faith. Whew. You got me started with that question, sorry for the rambling. NK: No worries. And I agree with you that we've often sacrificed substance for relevance. At the same time, however, we obviously don't want to go too far the other way and isolate ourselves from culture, right? So, are there any solutions you can think of that will help us communicate in the language of the people we're serving without compromising the Gospel as we do it? JF: Balance? I guess the longer I follow Christ the more I don’t believe in balance. I may get a lot of push back from this answer, so here it goes. Is the Christian to live in balance with the culture? A lot of us -and I include myself here- are afraid of becoming irrelevant to the culture around us so we swing back and forth on this never-ending question to find how we will maximize growth without compromising the message. I don’t think this is the thinking of a missional Christ-follower. Here’s what I mean. Most Christian’s have memorized Romans 12:1-2- you know, the verses about not conforming to the world, but be transformed by the renewing of your mind? These are the ultimate verse about our relationship to the world as believers, right? But, have we understood these verses in context? I challenge you to read Romans 12:3-21 today. Is this the Christianity you see in the world today? It seems to me that we should be less worried about communicating in the language of the people and more concerned about not thinking too highly of ourselves (v. 3), letting our love be genuine (v. 10) and associating with the lowly (v. 16). This is the “relevant” language all people are looking for everywhere. This is best said by Jesus, “You are the light of the world. A city set on a hill cannot be hidden (isolated).” Therefore, the best way to serve without compromise is to allow the light of Christ to shine in my life so people will glorify (make relevant) my Father in heaven. This is the relevant language of God. NK: I love that. And I agree with you that there are some things, like love, that are never irrelevant. It doesn’t matter how you dress them up, or fail to dress them up, the core fruit of the Spirit isn’t at risk for being rejected. People want to be loved and they want hope and peace. So yea, we should probably get back to that, huh? OK, This is totally off topic, but I was wondering about gotees. You’ve got one, yourself, and it seems like gotees are sort of standard issue for a lot pastors these days. Thoughts? JF: Ha. Yes. There’s a funny graphic or YouTube thing out there about gotees and other prerequisites for the job. I look like a baby-face without mine. NK: That’s funny. I want to talk about your blog for a moment. On there I've seen a lot of good thoughts and discussions regarding "what church is" or "what it should be." Have you come to any conclusions about where "church" should be headed or what it should ideally "look like" in order to be not only effective, but also a truer reflection of what Christ intended it to be. JF: Yes, there are some “lively” discussions on the blog. I think the truest reflection of what Christ intended the church to be is that the authenticity of my love for Jesus Christ should be measured in how I relate to people everyday on the street. Church should look like Jesus. Most of the discussions today are about style and substance as it’s relevant, again, to the culture. Most churches try to minister in reaction to the culture instead of going to where the centers of culture are and joining the conversation. Remember, Jesus said, “As the Father has sent me, so I am sending you.” A biblical church is a sending church. That’s why I call myself a missionary to Cincinnati. NK: One last question before we go. Sometimes people put pastors into a little box where they don't seem like real people. I'm convinced that planting a church is probably not your ONLY passion in life. So, could you tell us about some of the other things you're crazy about? JF: Sure. I think more and more people are relaxing on the “pastors in a box” thing. But, you’re right, the minute someone finds out you’re a pastor, the atmosphere in the room changes. I love Stephen King short stories, blogging and NASCAR (I know, sorry). I have a tattoo and will be getting a second after swim season. Mostly, I’m crazy about my wife and 4 kids (2 girls, 2 boys), they are the coolest people I know. NK: I can understand that, I get more crazy about Beth and Ethan every day! Jeff, thanks so much for allowing me to ask some of these questions. I’m excited that I get to continue following your story. Thanks for the interview! * * * If you’ve enjoyed these thoughts from Jeff Flowers, be sure to check out his website/blog: http://www.cincymissionary.com An Interview, Reposted 07/24/2009
An interview I did with Christopher Cocca on Googlewave and Technology was picked up by the site Watching The Watchers. About a year ago I ran across Micah Tillman's website, http://www.micahtillman.com, which espouses a very similar topic range as my own and after reading through a few of his posts, I discovered that he is indeed a most formidible scholar and a valuable voice regarding politics, religion, and philosophy. I immediately subcribed to his blog feed and I've been reading his posts ever since. Micah is a Lecturer in the School of Philosophy at the Catholic University of America and is currently writing a dissertation on Edmund Husserl’s theory of empty and filled intentions. He's also been kind enough to answer a number of my own personal questions through his blog and also by e-mail. The other day I asked if he's be willing to answer a few questions for my readers and he was kind enough to share his insights on life and his ideas on philosophy in the form of a casual interview. I'm really pleased that I'm able to post it here on my blog, today, and I'd encourage you to check out his website and his other writing if you enjoy what you read here. * * * Nathan Key: First question, you're teaching philosophy, which totally puts you in a different class than say, myself (I'm looking into grad schools for the future), but whenever I tell people about my own interest in philosophy, they always counter with some sort of "what are you going to do with a philosophy degree?" statement. So, let's go ahead and entertain that question for a moment. Other than just teach philosophy, what's the big goal of yours? What do you hope to accomplish with your PhD? Idolatry and Interviews 07/08/2009
I've had a really hectic week, and thus been unable to blog... But I wanted to share two things. Interview Thursday: Christopher Cocca 07/02/2009
This week, I decided to do a quick interview with our good friend Christopher Cocca. He wrote a guest blog here a few months back and he's beginning a Master’s of Fine Arts in Creative Writing at The New School. This week we talked about school, postmodernism, and technology. He's posting his side of the interview with me over on his blog sometime this week, too. * * * Nathan Key: Thanks for agree to let me interview you, Chris. Now, from what I’ve read on your blog, you've recently decided to head back to school for an MFA? Can you tell us more about that and what prompted you back into education? Christopher Cocca: There's no shortage of opinions on the utility of the MFA on the web and in general. For me, it's about being around other people who are trying to do the same thing I'm trying to do: push myself to producing the best possible texts. Doing this with other writers (students and teachers) appeals to me. If I had to do it over again, I wouldn't major in creative writing or English instead of political philosophy as an undergrad. And I'd still get the MDiv. I'd do it all the same as I did, including eventually going back and exploring/improving this part of what I do in a more formal, educational setting. I'm glad to be going back now, in my extremely late 20s, with a very clear focus. NK: You know, sometimes I wish I could head back to high school and college with that clear focus you just mentioned- knowing then what I do now. Ah well… On your blog you've mentioned Postmodernism quite a bit, lately. One meme I've been exploring here on this site is the postmodern idea of "death of the author" and how media, art, and literature have been affected. As a guy who's writing a novel and working toward publishing your own ideas and stories, how is your role as a writer and storyteller changing? CC: The death of the author is another way of saying everyone's an author. In the postmodern literary sense where reader-response sometimes is taken to trump everything, I get what some people mean, but on the other hand, with all of us social networking, tweeting, meme-ing, song-quoting, whatever...everyone is some kind of passer-on of content. Some people are creating, authoring. Some people are receiving and retransmitting. Many, actually. RT hashtag cliche. The interesting thing to me is that our references are so ubiquitous but people still think that repeating them makes them clever or interesting, that somehow repeating this line or lyric or saying this punch-line or snarky thing --- the punch-line everyone's expecting because you've heard it a million times --- makes us authors. I'm talking about general conversation here, not just the passive-aggressive what I had for lunch today Facebook status updates. And then you've got what's going on in Iran, which should really make all of us feel pretty shameful about most of the things we use social media and social networking for. Nothing in the world to say and all the freedom to say it. Here I'm going to do it myself: we're like the Junkions from the original Transformers movie (the cartoon). Using catch phrases from television shows to navigate our lives and determine how we speak to one another. In art, this is interesting: it's open source, it's sampling, it's remixing. It's the good things about the death or redefinition or authorship. In conversation, it's the worst. It's free time x cheap entertainment x laziness. I tend to feel this way about cliche in writing, too. So, as an author or a writer or a blogger or whatever, I try to edit all of those placeholders out. The challenge is finding new ways to say things, and I think this goes for speech and relationships, too. No one can ever play "In Your Eyes" for Ione Skye again. Think of all the tender little phrased you'd love to say to your wife if you weren't so embarrassed by them because people in movies said them first. Maybe the problem is using other people’s art to express yourself in the first place. Sometimes it's amazing (the Grey Album, for example), or the open source art projects that are coming up. But in real life it's sort of cheesy. So I think we need to learn to make our own art for our own purposes, which is why people started making art in the first place. NK: Speaking of Open Source- which makes me think of all sorts of free downloadable content- you've been posting some bits and pieces of your novel, Milton County Power & Light up on your blog lately. I've seen a few other authors post their books online, too- Monster Island is a great example- and I'm wondering if the future of authors is similar to the future of musicians- it doesn't really seem like musicians really need record labels, and it doesn't seem like writers need publishers. Where do you think we're heading with all this? CC: This is something people are talking a lot about, especially with things like LuLu making publishing and delivery so easy. It seems very similar to the success we’ve seen among indie bands and unsigned artists through platforms and communities like MySpace, YouTube etc. But while I agree that musicians don't really need record labels anymore, and while writers might not need publishing houses, they still need editors. I think that's the disconnect in the analogy. A musician can throw up a demo or a crummy song on MySpace and when no one likes it they can take it down, make it better, whatever. But if you self-publish a novel before it's really ready, that's out there forever. I think we sort of understand music as more of a work in progress in the sense that demos and alternate cuts and completely unfinished songs are interesting. Boxsets and anthology albums are full of these things and people collect the bootlegs. It's not the same with writing. That said, just like writers need editors, most musicians need producers. But then you've got this whole crop of one-man virtual bands that do it all in their bedroom on a Mac and it's amazing. Chad Van Gaalen is like that. I guess what I'm saying is that it depends on the maturity of your talent. I know that I'm not about to self-publish a novel because I know how much work I still have to do. If I wrote a perfect pop song, maybe, I'd know it. At present, my book isn't that. So that's the practical side of it. But there's also another difference. Releasing your own album is almost a badge of honor. When your band gets big you can reminiscence about how you put out the first EP yourself and sold it out of your car and even for people who never make it past that, I think it's all very romantic. It's cool. Maybe I only think that because I haven't done it. But there's not the same kind of vibe when it comes to self-publishing. I think most writers aren't ready to say the self-publishing has the same kind of punk ethos. Even small presses who's mission is to publish new voices or avant guard stuff have editors and gatekeepers and for good reason. Someone has to go to bat for your work. Reading an experimental novel doesn't have the same built-in viral opportunities that listening to a 4 minute alt.country track does. It's just not a viral medium. This is probably why flash fiction is so popular on the web. Six-sentence stories or one-sentence stories can become memes. That's what tweets are, and people are using Twitter and Tumblr and Facebook for this kind of viral lit, mircostories, koans, whatever. NK: Of course, none of those writing forums pay really well, either. I know from past experience that a band might be able to make money from live music shows or T-shirts. But writers don’t really have that sort of thing… CC: As far as a paycheck, at the moment, I think it's more about building social and artistic capital than actual capital. But publishers will find a way to make more money than they currently are off of the kinds of things you're talking about. Writers will too and a few already are. Present company excluded. NK: OK, last question. Who'd you bet on if Stephen King and John Grissom were up against each other in a cage match? CC: Neil Gaiman. NK: Nice. * * * |
